Laederstraede, Kopenhagen, 1935
Heinrich Heidersberger (via: deichtorhallen.de)
Yegor Ostrov HERE (via: wanjas.com)
Béret Baguette 2013
Benjamin Donadieu on Vimeo
Ride Béret Baguette is a retro bicycle festival in Paris.
Street Queen by bermek HERE
Need Some Rest by bermek HERE
Love by bermek HERE
I Used to be You
Photographs and text by Kyoko Hamada HERE (via:lensculture)
From the photographer: ”If I met Kikuchiyo-san, I might just smile at her and be quiet for a while. She probably wouldn’t say much either; she might just nod and smile if I spoke about anything at all. Or, she might ask me to sit with her on a park bench and we would look at the sunset in the quiet stillness.
Kikuchiyo-san is a fictional character. Rather than being in my comfort zone behind the camera, I am the subject facing the lens. The back and forth of Kikuchiyo-san being in her own home and out in the world and the still-lifes which are interspersed throughout bring to mind my tendency to ponder things that are right in front of me, as well as things I will never understand.
When I first tried on her gray wig, the latex make-up, and her clothes, I gazed at the mirror for a long time. My initial reaction was to chuckle, but I started feeling a little uneasy soon after. The wrinkled face staring back at me resembled my own with thirty-plus years added to it. When I smiled, she smiled back at me. When I pouted, she pouted too. It was the first time I had met her, but she was simultaneously someone I already knew quite well and someone I knew nothing about.
Unlike the feeling evoked by the painting in Oscar Wilde’s The Picture of Dorian Gray, looking at Kikuchiyo-san in the mirror caused me to feel a mixture of humility, humor and a sense of tender familiarity.
I’m not sure when my interest in aging started, though I can think of several reasons why it is now on my mind. Small losses like my favorite corner cafe being replaced by a chain drug store, and finding the first few strands of gray in my hair. Or, bigger losses like death of my father and the disaster in Japan a year ago in March. In June, Kikuchiyo-san will have been with me through four seasons; a reminder that time and life are always moving.
I have gotten used to dressing up as Kikuchiyo-san because it has been a year since I started photographing her. But I still feel uneasy imagining the one sentence Kikuchiyo-san could utter to me if I met her in a crowded train station or during a walk in the park: “I used to be you.”
— Kyoko Hamada HERE
Artemis: This is well done. It’s touching. Very sweet. :)
The Dance of the Winds - scanned from an old magazine (via: L. Michaud on Pinterest)
Artemis: Warren B. Davis is an American painter and illustrator, 1865–1928.
Women Dancing (Dance of the Forest Nymphs)
Warren B. Davis
Bio from 1st Dibs “Warren B. Davis (1865–1928) is an American painter and illustrator known for his dry-point etchings and tempera paintings of idealized young women. Davis studied at the Art Students League in New York and is often compared to similar artists of his time, N.C. Wyeth and Maxfield Parrish.
His commercial work include illustrations for Vanity Fair, Life Magazine, and The Ladies World.
Now his work can be seen at The Richter Gallery in Bellows Falls, Vermont and at the Cleveland Museum of Art”