The Birth of Venus, 1863
 Alexandre Cabanel









Description from Wiki: “The Birth of Venus (French: Naissance de Venus) is a painting by the French artist Alexandre Cabanel (1823–1889). It was painted in 1863, and is now in the Musée d’Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New York City.
Shown to great success at the Paris Salon of 1863, The Birth of Venus was immediately purchased by Napoleon III for his own personal collection. That same year Cabanel was made a professor of the Ecole des Beaux-Arts.
Cabanel’s erotic imagery, cloaked in historicism, appealed to the propriety of the higher levels of society. Art historian and curator Robert Rosenblum wrote of Cabanel’s The Birth of Venus that “This Venus hovers somewhere between an ancient deity and a modern dream”; he described “the ambiguity of her eyes, that seem to be closed but that a close look reveals that she is awake … A nude who could be asleep or awake is specially formidable for a male viewer”.
Cabanel was a determined opponent of the Impressionists, especially Édouard Manet,[citation needed] although the refusal of the academic establishment to realize the importance of new ideas and sources of inspiration would eventually prove to be the undoing of the Academy.” via wikipedia

The Birth of Venus, 1863

 Alexandre Cabanel


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Description from Wiki: “The Birth of Venus (French: Naissance de Venus) is a painting by the French artist Alexandre Cabanel (1823–1889). It was painted in 1863, and is now in the Musée d’Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New York City.

Shown to great success at the Paris Salon of 1863, The Birth of Venus was immediately purchased by Napoleon III for his own personal collection. That same year Cabanel was made a professor of the Ecole des Beaux-Arts.

Cabanel’s erotic imagery, cloaked in historicism, appealed to the propriety of the higher levels of society. Art historian and curator Robert Rosenblum wrote of Cabanel’s The Birth of Venus that “This Venus hovers somewhere between an ancient deity and a modern dream”; he described “the ambiguity of her eyes, that seem to be closed but that a close look reveals that she is awake … A nude who could be asleep or awake is specially formidable for a male viewer”.

Cabanel was a determined opponent of the Impressionists, especially Édouard Manet,[citation needed] although the refusal of the academic establishment to realize the importance of new ideas and sources of inspiration would eventually prove to be the undoing of the Academy.” via wikipedia

Image from page 8 of the journal Die Gartenlaube, 1885
Alexandre Cabanel

Image from page 8 of the journal Die Gartenlaube, 1885

Alexandre Cabanel

image

Above:  The Flight of Icarus - Frank Frazetta
.
Lament of IcarusThe paramours of courtesansAre well and satisfied, content.But as for me my limbs are rent Because I clasped the clouds as mine.I owe it to the peerless starsWhich flame in the remotest skyThat I see only with spent eyesRemembered suns I knew before.In vain I had at heart to findThe center and the end of space.Beneath some burning, unknown gazeI feel my very wings unpinnedAnd, burned because I beauty loved,I shall not know the highest bliss,And give my name to the abyssWhich waits to claim me as its own.
~Charles Baudelaire

Above:  The Flight of Icarus - Frank Frazetta

.

Lament of Icarus

The paramours of courtesans
Are well and satisfied, content.
But as for me my limbs are rent
Because I clasped the clouds as mine.

I owe it to the peerless stars
Which flame in the remotest sky
That I see only with spent eyes
Remembered suns I knew before.

In vain I had at heart to find
The center and the end of space.
Beneath some burning, unknown gaze
I feel my very wings unpinned

And, burned because I beauty loved,
I shall not know the highest bliss,
And give my name to the abyss
Which waits to claim me as its own.

~Charles Baudelaire

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Road - Mesa with Mist, 1961, artic.edu (queue)
Oil on canvas50.8 x 40.6 cm (20 x 16 in.)
Bequest of Paul and Gabriella Rosenbaum, 2002.76© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

Georgia O’Keeffe
American, 1887-1986

Road - Mesa with Mist, 1961, artic.edu (queue)

Oil on canvas
50.8 x 40.6 cm (20 x 16 in.)

Bequest of Paul and Gabriella Rosenbaum, 2002.76
© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

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It Was Yellow and Pink III, 1960, artic.edu (queue)
Oil on canvas101.6 x 76.2 cm (40 x 30 in.)
Alfred Stieglitz Collection, bequest of Georgia O’Keeffe, 1987.250.2© The Art Institute of Chicago

Georgia O’Keeffe
American, 1887-1986

It Was Yellow and Pink III, 1960, artic.edu (queue)

Oil on canvas
101.6 x 76.2 cm (40 x 30 in.)

Alfred Stieglitz Collection, bequest of Georgia O’Keeffe, 1987.250.2
© The Art Institute of Chicago

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Oil on canvas99.1 x 76.2 cm (39 x 30 in.)
Art Institute Purchase Fund, 1943.95© The Art Institute of Chicago

Georgia O’Keeffe
American, 1887-1986

Black Cross, New Mexico, 1929 (queue)

Oil on canvas
99.1 x 76.2 cm (39 x 30 in.)

Art Institute Purchase Fund, 1943.95
© The Art Institute of Chicago

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Georgia O’KeeffeAmerican, 1887-1986
The Shelton with Sunspots, N.Y., 1926, artic.edu (queue)
Oil on canvas123.2 x 76.8 cm (48 1/2 x 30 1/4 in.)Signed, titled, and dated on label on reverse
Gift of Leigh B. Block, 1985.206© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

Georgia O’Keeffe
American, 1887-1986

The Shelton with Sunspots, N.Y., 1926, artic.edu (queue)

Oil on canvas
123.2 x 76.8 cm (48 1/2 x 30 1/4 in.)
Signed, titled, and dated on label on reverse

Gift of Leigh B. Block, 1985.206
© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

Georgia O’KeeffeAmerican, 1887-1986
Spring, 1923-24, artic.edu (queue)
Oil on canvas45.7 x 35.4 cm (18 x 14 in.)
Bequest of Paul and Gabriella Rosenbaum, 2002.72© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

Georgia O’Keeffe
American, 1887-1986

Spring, 1923-24, artic.edu (queue)

Oil on canvas
45.7 x 35.4 cm (18 x 14 in.)

Bequest of Paul and Gabriella Rosenbaum, 2002.72
© 2013 Georgia O’Keeffe Museum/ Artists Rights Society (ARS), New York

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