Octo Jelek HERE
Above:Â Man and dog - Dědeček HERE
.
While I turned my head
that traveler
I’d just passed …
Melted into mist
~Shiki
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From wiki: ”Masaoka Shiki (正岡 子規, October 14, 1867 – September 19, 1902), pen-name of Masaoka Noboru (正岡 升), was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry. He also wrote on reform of tanka poetry.
Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. via: wiki
Simón Bolívar Youth Orchestra of Venezuela, Conductor Gustavo Dudamel
Perez Prado - Mambo, Leonard Bernstein - Mambo (Youtube/Александр Трофимчук)
Artemis: :)) New Year’s Eve Concert, 2007 from Caracas. About half way through the audience and orchestra just lose it… they are having so much fun. :) Dudamel :D
The Spirit of the Plains, 1914, National Gallery of Australia, Canberra
Sydney Long (Australian)
Large image: HERE
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From Wiki: “Sydney Long (1871–1955) was an Australian artist. Born on 20 August 1871 at Ifield, Goulburn, New South Wales, Sydney Long began formal art classes at the New South Wales Art Society in 1890. In 1894 his Heidelberg School-influenced painting By Tranquil Waters (a bathing scene set on the Cooks River) caused a small scandal, but was purchased by the Art Gallery of New South Wales. The sale brought Long to the attention of Julian Ashton, a Trustee of the Gallery and founder of the influential Julian Ashton Art School (at that time called the Sydney Art School), and in 1907 he became Ashton’s second in command in the school. In 1898 he had a short engagement with Thea Proctor. In 1910 he moved to London, where he learned etching and became an associate of the Royal Society of Painters, Etchers and Engravers. He returned to Australia in 1921 and helped found the Australian Painters, Etchers and Engravers Society, lived in England for the period 1922-1925, then returned once more to Australia, becoming President of the Society. He won the Wynne Prize twice; in 1938 for The Approaching Storm, and in 1940 for The Lake, Narrabeen. He remained a director of the Society for many years, as well as remaining an active art teacher. In 1952 he returned once again to England.
While influenced by the Heidelberg School, Long’s first successful painting, By Tranquil Waters, (1894), shows a markedly different engagement with the Australian scene: where Heidelberg artists such as Arthur Streeton and Frederick McCubbin showed the Bush as a place of work and struggle (and occasional sentimentality), Long’s painting of young naked bathers is hedonistic and charged with low-key eroticism - the eroticism, rather than the nudity per se, was the cause of the scandal. After 1895 Long moved even further from the Heidelberg School’s approach to the Australian landscape (a fusion of Victorian genre painting and a Barbizon-like plein air informal realism), seeking instead to achieve “soulful and graceful evocations of the spirit of the land, as did the Greeks and their beautiful myths.” In practice this resulted in a new school of Australian Paganism, reflected in the literature of the period as much as in the art, and counting among its practitioners Lionel Lindsay and his brother Norman Lindsay.
Long’s greatest triumph in this style was The Spirit of the Plains (1897), using the flowing patterns and pastel colours of Art Nouveau to create a poetic vision of the Australian bush as the incongruous setting for a naked Grecian wood-nymph leading a procession of dancing brolgas. Another example of this style is his work depicting the mythological god Pan, (1898) which was purchased by the Art Gallery of New South Wales.
These works painted after 1897 were extremely popular, and provided the money to allow him to fulfil his dream of studying in London after 1910. His post-1910 work retained only the faintest lingerings of the earlier Australian poetic landscapes.” Bio via: wiki
Flamingoes, 1905-06, National Gallery of Australia, Canberra
Sydney Long (Australian)
Large image: HERE
Sadder than a single star that sets at twilight in a land of reeds, 1899
Sydney Long (Australian)
Large image: HERE
To Ron
I am having trouble sending messages… I hope you see this. :(
A very happy birthday to you Ron (our Resident Bluesman :)).
Happiness always. :)
The Future, 1925, Oil on canvas, Collection: Manchester City Galleries
Madeline Green
From bbc.co “A scene of a poor young man and woman seated on a wooden bench in a once grand sitting room with a high arched window behind them. The scene now, however, is one of poverty, with old thin curtains hanging at the window, and the room empty apart from the wooden bench on which the boy and girl sit.
A bare wintry tree is visible through the window and gives a desolate air.”
