Landscape: high cliffs, water and a temple

19th century

Kano Hogai, (Japanese, 1828-1888) 
Edo period 
Japan 

Ink on paper: H: 149.5 W: 104.3 cm 
F1903.119, Smithsonian Museum 

Landscape: high cliffs, water and a temple

19th century

Kano Hogai, (Japanese, 1828-1888) 

Edo period 

Japan 

Ink on paper: H: 149.5 W: 104.3 cm 

F1903.119, Smithsonian Museum 


No title, 1965-66 Watercolor and ink on paper, Craig F. Starr Gallery
Eva Hesse
See archive for more:  HERE

No title, 1965-66 Watercolor and ink on paper, Craig F. Starr Gallery

Eva Hesse

See archive for more:  HERE


Untitled, 1966
Eva Hesse (alexistellssfsen.com)
See archive for more:  HERE

Untitled, 1966

Eva Hesse (alexistellssfsen.com)

See archive for more:  HERE


Untitled, 1966, Brush and gray wash, with charcoal and graphite, on ivory wove paper, 35.2 x 35.2 cm, Art Institute of Chicago, gift of the Neisser Family 2003.73, © The Estate of Eva Hesse (via: arttattler.com)
Eva Hesse
See archive for more:  HERE

Untitled, 1966, Brush and gray wash, with charcoal and graphite, on ivory wove paper, 35.2 x 35.2 cm, Art Institute of Chicago, gift of the Neisser Family 2003.73, © The Estate of Eva Hesse (via: arttattler.com)

Eva Hesse

See archive for more:  HERE


Deux Nus, 1897-98  
René Lalique (identified via: cinematheque.fr)

Deux Nus, 1897-98  

René Lalique (identified via: cinematheque.fr)


Lisa Ekdahl - Cry Me a River


수중 (underwater)  (via: blog.daum.net  HERE)   
Photographer: Zac Pagett 

수중 (underwater)  (via: blog.daum.net  HERE)   

Photographer: Zac Pagett 


Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away… and this shows that the space around you is beginning to grow vast…. be happy about your growth, in which of course you can’t take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don’t torment them with your doubts and don’t frighten them with your faith or joy, which they wouldn’t be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn’t necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust…. and don’t expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.
“

Rainer Maria Rilke, Letters to a Young Poet


Angels 

Zena Holloway   HERE   


Max Ernst at the home of Peggy Guggenheim, New York, Fall 1942 Munich City Museum Archives,
Hermann Landshoff  (via: altertuemliches.at)

Max Ernst at the home of Peggy Guggenheim, New York, Fall 1942 Munich City Museum Archives,

Hermann Landshoff  (via: altertuemliches.at)


Astrud Gilberto and Stan Getz - The Girl From Ipanema (1964)

Lower Manhattan, 1907
Frederick Childe Hassam
See archive for more:  HERE

Lower Manhattan, 1907

Frederick Childe Hassam

See archive for more:  HERE


Plaza de la Merced, Ronda 1910  
Frederick Childe Hassam
See archive for more:  HERE

Plaza de la Merced, Ronda 1910  

Frederick Childe Hassam

See archive for more:  HERE


Late Afternoon, New York, Winter, 1900, Brooklyn Museum
Frederick Childe Hassam
See archive for more:  HERE

Late Afternoon, New York, Winter, 1900, Brooklyn Museum

Frederick Childe Hassam

See archive for more:  HERE


Westminster Bridge, 1898  
Frederick Childe Hassam
See archive for more:  HERE

Westminster Bridge, 1898 

Frederick Childe Hassam

See archive for more:  HERE